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Episode 55 – The Gospel According to Jesus Queen of Heaven, Tár

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Hello darling listeners. It is summer, well officially not it seems weather wise, and you know what that means?! GAYNESS. Big gay vibes with our annual festivals Midsumma and Mardi Gras heating things up and stripping thing off. So, of course, we deep dive on some delicious shows from our family – The Gospel According to Jesus Queen of Heaven and the impenetrable Rorschach that is Tár. This is the double feature you have always wanted. We also talk our most loved and loathed coporate yassification, Sydney Festival and much more. Please tell your friends! No one listens to our show. Sending love.

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Credits

  • Produced and recorded by Carla Donnelly and Philip Thiel
  • Theme composition Mark Barrage
  • Sound editing by Shackwest
  • Cover image of Kristen Smyth as Jesus, Queen of Heaven by Daniel Rabin
transcription under the cut

Ep 54 – Paul Yore (ACCA), Lele

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Hello Aislers! So lovely to be in your ear buds again. This episode we experience the visual, aural, spiritual and psychological immersion of Paul Yore’s Word Made Flesh – a comprehensive retrospective of his work at the Australian Centre for Contemporary Art. In intermission we chat summer drinks and our love of dance works, and the practice, now we are all emerging from our Covid cocoons. Our second act is Lele at the exciting Neighbourhood Contemporary Arts Festival. We are taking a break for the summer but will return in February with another morsel for you. Enjoy and stay safe <3.

Connect with us on twitter, facebook, instagram and our website. 

If you love our show please consider donating to our server costs.

Credits

  • Produced and recorded by Carla Donnelly and Philip Thiel
  • Theme composition Mark Barrage
  • Sound editing by Shackwest
  • Cover image of Paul Yore: Word Made Flesh installation view by Andrew Curtis
transcript under the cut

Ep 53 – Memoir of a Tired Carer, Sunshine Super Girl

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We’re back baby! We went to a Fringe show, Memoir of a Tired Carer, and no one got Covid. Team Aisle also travelled to wilds of North Geelong Arena to see the Evonne Goolagong biographical play (feel good hit) Sunshine Super Girl. In Intermission we chat Fringe highlights, Bangarra Dance Theatre and experimental new opera The Lighthouse. In Coming Soon we recommend Bodies of Water, Beth Gibbeson – A Thread of Light, Lele and Richard Mosse – Broken Spectre (at NGV). Please join us with your favourite bevvie.

Connect with us on twitter, facebook, instagram and our website. 

If you love our show please consider donating to our server costs.

Credits

  • Produced and recorded by Carla Donnelly and Philip Thiel
  • Theme composition Mark Barrage
  • Sound editing by Shackwest
transcript under the cut

Ep 52 – Shadow, Give Me Pity!

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Across the Aisle attends MIFF! Phil reporting deep from the trenches of all the pleasures of MIFF (queues, choc tops, darting from one venue to the other) and Carla from her loungeroom on the Surf Coast annihilated on edibles. Films covered are Back to Back Theatre’s award winning Shadow – a luscious celluloid imagining of their stage plays that “wonders whether an AI-led near-future society will further disenfranchise the disabled community” and the gloriously deranged Give Me Pity! starring Sophie von Haselberg as Sissy St. Clair in her first Saturday Night Special – ingenue, entertainer, demonically possessed.  We also chat cinema going (how do you do it?) and what is Coming Soon. Enjoy!

Connect with us on twitter, facebook, instagram and our website. 

If you love our show please consider donating to our server costs.

Credits

  • Produced and recorded by Carla Donnelly and Philip Thiel
  • Theme composition Mark Barrage
  • Sound editing by Shackwest
transcript under the cut

Ep 51 – Light (ACMI), Looking for Alibrandi

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In this month’s episode Carla and Phil discuss the smaller blockbuster Melbourne Winter Masterpieces on at ACMI from the Tate Modern – Light. And then we head off and the crack of dawn for sauce day at The Malthouse theatre for the stage adaptation of much-loved teen novel Looking for Alibrandi. In intermission the gang chat favourite winter drinks, Virginia Woolf’s diaries and Hannah Kent’s delightfully queer ghost story, Devotion. And perhaps a little too late in Coming Soon our picks for Melbourne Writers festival and MIFF. Bon appetite and tell your friends!    

Connect with us on twitter, facebook, instagram and our website. 

If you love our show please consider donating to our server costs.

Credits

  • Produced and recorded by Carla Donnelly and Philip Thiel
  • Theme composition Mark Barrage
  • Sound editing by Shackwest
Transcript under the CUT

Ep 50 – QUEER (NGV), Titicut Follies (ACMI)

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It’s official! Across the Aisle is back for a 5th season after we can’t quite believe it 3 years hiatus. In June 2022 we cover the monumental QUEER exhibition at the NGV and Titicut Follies as part of the Frederick Wiseman retrospective at ACMI. We hope you enjoy having us back in your ears, and please tell your friends.

Titicut Follies (along with many other Frederick Wiseman films) is available for viewing on the Kanopy platform. You can get access to this free resource through your school or local library. Tracey Moffatt’s male gaze obliterating Heaven is available to rent on Vimeo (do it, it’s SO WORTH IT).

Connect with us on twitter, facebook, instagram and our website. 

If you love our show please consider donating to our server costs.

Credits

transcript under the cut

Ep 49 – Handa Opera La Traviata, The Power of the Dog

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Hello and welcome BACK to Across the Aisle. It is episode 49! And as with all things everything has changed, and we are no longer performing arts monogamous. We are arts with a capital A polyamorous. So, please watch Handa Opera’s 2012 production of La Traviata on the Opera Australia website and The Power of the Dog on Netflix (or in the cinema if at all possible). During Intermission we talk pandemic specific changes to our arts consumption and in Coming Soon we pick a few highlights to think about for potential future episodes.

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If you love our show please consider donating to our server costs.

Credits

transcript under the cut

Ep 41 – Song For A Weary Throat, Re-Member Me

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Melbourne International Arts Festival episode! The gang talk all things festival – featuring Song For a Weary Throat by Rawcus Ensemble (and featuring the Invenio Singers) and Re-Member Me by Dickie Beau. Intermission chats include the Elysian Ensemble and Hubei Symphony Orchestra. Coming soon June Thomas at The Wheeler Centre, The Breeders and Phils choral group Gloriana Chamber Choir (its Messiah time!). We are working on transcribing the history of our episodes – please donate or subscribe today, we need 6 full paid subscribers to reach our target. Thanks for listening and share with your friends.

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Credits

transcript under the cut

Ep 35 – De Stroyed, House of Bernarda Alba

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Welcome to the second last episode of season 3! To ensure season 4 is created please contribute to our fundraiser today. Link on all our social media. It’s been 2 months since our last episode and A LOT has happened. We had a win at the Australian Podcast Awards and talk about it. Jasmine Moseley of the The Australian Ballet joins us for Intermission and Coming Soon – featuring the Head On Photo Festival and virtual reality in Canberra. This month’s shows discussed are De Stroyed by Jillian Murray and Suzanne Chaundy Director at fortyfivedownstairs and The House of Bernarda Alba – an Australian reimagining of the Federico Garcia Lorca play, by Patricia Cornelius and Leticia Ines Caceres at Melbourne Theatre Company.

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Credits

transcription under the cut

Ep 34 – Personal, Fleabag

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An intriguing pair of one-woman shows are discussed: Jodee Mundy’s “Personal” at Arts House plus “Fleabag” by Phoebe Waller-Bridge at the Malthouse. Are family tragedies always comic? At intermission, contemporary art in Kyneton and “Unsane” on Soderbergh’s phone. And masterpieces are on their way from somewhere else to Melbourne, again. Speaking of Melbourne, the podcast endorses its preferred Lord Mayor! Thanks for listening to our podcast. 

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Donate to our server costs.

Credits

transcript under the cut