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Ep 51 – Light (ACMI), Looking for Alibrandi

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In this month’s episode Carla and Phil discuss the smaller blockbuster Melbourne Winter Masterpieces on at ACMI from the Tate Modern – Light. And then we head off and the crack of dawn for sauce day at The Malthouse theatre for the stage adaptation of much-loved teen novel Looking for Alibrandi. In intermission the gang chat favourite winter drinks, Virginia Woolf’s diaries and Hannah Kent’s delightfully queer ghost story, Devotion. And perhaps a little too late in Coming Soon our picks for Melbourne Writers festival and MIFF. Bon appetite and tell your friends!    

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Credits

  • Produced and recorded by Carla Donnelly and Philip Thiel
  • Theme composition Mark Barrage
  • Sound editing by Shackwest
Transcript under the CUT

Ep 42 – Tash York – Bad Ass, Suddenly Last Summer

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It’s summer! The gang bring you all summer related goods including how to be a Badass by Tash York at The Butterfly Club and Suddenly Last Summer by Little Ones Theatre at Red Stitch. During intermission we discuss the mini-series Waco and King Lear via National Theatre Live. Coming soon heralds Midsumma – top picks include Merciless Gods, The Legend of Queen Kong Ep II + The Homosapiens. Also there is Christian Marclay’s 24 hour video piece The Clock at ACMI and MON FOMA, Sydney Festival. We are currently raising funds to transcribe our show for the deaf and hard of hearing community, it costs $5 to sponsor an episode please donate (link below). 

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Ep 36 – The Nightingale and the Rose, Brothers Wreck

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Welcome to episode 36 of Across the Aisle, our third season closer. Can you believe it’s been 3 years of Phil and Carla connecting over deep cuts and giggles? This episode is no different. The gang get dilated pupils of lust at Little Ones Theatre adaptation of Oscar Wildes poem The Nightingale and the Rose – staged at Theatre Works. They then spend quality time with an Indigenous family rocked by suicide in Brothers Wreck at The Malthouse. Both performances affected our hosts quite deeply. In intermission the Philip Thiel Grant for Instagram Stories in announced, Carla does some announcing of her own – that she is now a judge for the Independent Theatre category for the Green Room Awards. MIFF strategies are discussed, as is MICMC (no it’s not roman numerals like Carla thought) and much much more. Thanks for listening and sharing.

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Ep 33 – Abigail’s Party, Uncanny Valley, Girl

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And we’re back! Swinging into April, feeling the lush shag pile between our toes. Our shows this month take us to 70’s England, dripping with middle class malaise in Mike Leigh’s Abigail’s Party (via the MTC). We then move into industrialised robot lady future and beyond with Angela Goh’s Uncanny Valley, Girl; as part of the Festival of Live Art. Carla and Phil also chat in depth about Phantom Thread, classical music in Collingwood carparks (Penny Quartet/Play On), Dark Mofo, MSO Metropolis new music festival and Fleabag. Thanks for listening and please share with your friends! We also have a new website for you to sign up to our newsletter and see our happy faces http://www.acrossaisle.com – thanks and see you in a month!

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Ep 25 – The Moors, Merciless Gods

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One company, two productions and a special guest! In this queer episode of Across the Aisle, Carla and Philip attend “The Moors” at Red Stitch and “Merciless Gods” at Northcote Town Hall, considering the work of Little Ones Theatre across two sites. Podcast supporter Wesa Chau joins them at intermission to share her insights, and the guide to Melbourne Fringe is riffled. Thank you for listening.

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Ep 19 – I Am My Own Wife, The Happy Prince

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A special episode at Melbourne’s 30th Midsumma Festival. Carla and Philip take in two shows from this celebration of queer culture: I Am My Own Wife and The Happy Prince. At intermission, they banter about Hobart’s MONA FOMA and the Golden Gaytime Crumb Shed. Happy Midsumma!

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Ep 5 – Piece for Person and Ghetto Blaster, Dracula

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In today’s episode we will be discussing Nicola Gunn’s latest production “Piece for Person and Ghetto Blaster” plus Little Ones Theatre’s silent film style retelling of Bram Stoker’s “Dracula.”

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