Welcome to the LAST EPISODE of Across the Aisle. That’s right, after 4 years and 48 episodes we are ending. This episode is our Yirramboi special, covering Joel Bray’s Daddy and Ngioka Bunda-Heath and Tracey Bunda’s Blood Quantum. Join us for a greatest hits look at our back catalogue during intermission – where we both award our top
In this episode the gang have two very disparate experiences – Do You Know Me? a site specific work on homelessness for Melbourne Fringe Festival and Spartacus, the brand new production of a very old tale by the Australian Ballet. During intermission Carla and Phil give the latest blockbuster exhibition MOMA at NGV a D-
Welcome to season 4! Thank you to our generous subscribers for helping fund our show. This month the gang hit the Australia Ballet for Verve! which gave Carla many 90’s art house crushed velvet Peter Greenaway feels and was very gender political for Phil. During intermission we revisit The Crown and Queer Eye – both
HELLO. We are up to date with the launch of our August episode! Covering Nightdance by Melanie Lane at Arts House and David Williamson’s new work Credentials at La Mama, two very different works that we felt beautifully book ended the spectrum of work we can see in Melbourne. We don’t often cover dance on
Carla and Philip head onto a bus and explore Docklands in the compelling and site specific piece Passenger, presented by Women of the World Festival and Footscray Arts Centre. They then head over to sit in line at The Arts Centre for Tix and Six and get to see The Australian Ballets contemporary program Faster.
Happy new year! In this episode of the podcast, Philip and Carla and joined by special guest Julien to discuss Nicola Gunn’s latest production “The Interpreters” at the Alliance Française. Then they see “Hot Brown Honey” at Arts Centre Melbourne. At intermission they discuss Susie Dee’s “Animal” at Theatre Works as well as their latest
In today’s episode we will be discussing Nicola Gunn’s latest production “Piece for Person and Ghetto Blaster” plus Little Ones Theatre’s silent film style retelling of Bram Stoker’s “Dracula.” Connect with us on twitter, facebook, instagram and our website Credits Theme composition Mark Barrage Sound engineering and editing by Shackwest
In our second episode we’ll be discussing I Am a Miracle written by Declan Greene and produced by The Malthouse Theatre. We’ll also be covering Picnic written by Marieke Hardy and produced by KAGE Theatre, The Australian Ballets new production 20:21 and upcoming shows and festivals for September. Connect with us on twitter, facebook, instagram